Banyuls-sur-Mer, French Catalonia: one hot summer in the 1970s, the lives of three generations of women converge in the long tropical garden hidden behind the Villa Wintrebert, named after the biologist who lived there with his wife. As in her debut After Nora (2024), Penelope Curtis deftly weaves fact and fiction in this moving story of childhood and of adult complicity. Harmony beween la belle Eugénie and the young Monique is disrupted when a well-intentioned commission to the renowned local sculptor, Aristide Maillol, shines a light on the fundamental fragility of the women’s relationship, on which the villa and its garden had depended. Decades later, Monique invites Eva and her two little girls into the villa, where traces of the past imprint themselves on the present.