Charting Heidi Bucher’s sensual, radical, feminist sculpture across four decades.

This monograph reviews Swiss sculptor Heidi Bucher’s (1926–1993) early days as a student in Zurich in the 1940s, her life in New York and Los Angeles in the 1960s and 1970s, her major works of latex castings―or “skinnings”―of architecture and people, and her final years.