A dazzling novella from a rising star of Indonesian literature that explores what it means to be a woman — whoever you are, wherever you are, and whenever it is in history and time.

In today’s Jakarta, an unnamed man tells the story of his lifelong friend Nastiti, and what happened on the day she vanished. In the Dutch East Indies’ Semarang, a young Indo-Dutch girl, Rukmini, is captured by the Japanese military and is forced into prostitution. Years later, Arini travels to the Netherlands to share her mother’s dark past with a researcher.

After the American occupation of Japan in WWII ends, a former war photographer revisits his memories of Hanako, the wife of a traumatised ex-Imperial soldier, but can’t escape his own darkness. And in present-day Osaka, a young Indonesian woman, Dara, haunted by her past and struggling to conceive, becomes obsessed with a Japanese porn star.

Through these interconnected narratives, in stunning prose, Dias Novita Wuri explores generational legacies, lost loves, the damage that war does to men, and the damage that men do to women.

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‘The ground beneath the reader is constantly shifting … Birth Canal jumps in time and moves between places of security and insecurity, hiding and transit, literal and metaphorical light and dark … In the end, this extraordinarily accomplished and profound novel, translated from Indonesian by the author, is about how difficult love can be, and how precious.’

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‘Indonesian author Dias Novita Wuri is a rising literary star. Her novella Birth Canal writhes with talent compressed into a forceful and beguiling suite of interconnected stories … Wuri’s gift for metaphor is matched by a supple and sidewinding narrative construction that follows women across time and place.’

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‘[Dias Novita Wuri] confronts the reader with the realisation that often it’s too easy for us to simply look away. [Birth Canal] consists of expertly and beautifully crafted interconnected stories, its narrative jumping back and forward in time as echoes in a chamber where no trauma ever goes away entirely, but rather returns in another configuration … the spare dialogue allows stillness and solidarity to seep in through the violence.’

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‘Impressive.’

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‘[N]othing short of genius … For such a short work, it contains multitudes. Expertly translated by the author Birth Canal reveals the triumphs and tribulations of several generations of Indonesian women, each dealing with their own personal struggles with their lovers, humanity, and the course of world events.’