Charles Noble’s poems push the boundaries of formal logic, usinga poetic revitalization of the syllogism to experiment withconventionality.

With wit and cunning, Noble’s poems insinuate themselves into themediations of “we use language” / “language usesus,” into the objectification of “mind,” into thestruggles and cracking of systems. Cuing on Hegel’s epochalrevitalization of the syllogism, they begin withsentences-cum-arguments that issue from an everyman's intentionsand insights, playing into and baiting the “sociality ofreason.” In the cut-up sentences then come the restless,accelerated themes—themes that exist only in their variations,ghosting into one another like the dusk and the dawn in a winging,distended now.