Dolls and puppets, models and mannequins, continue to fascinate and engage our cultural imagination. This book is the first to draw together a range of case studies across fashion, theatre, popular culture and art to provide an unprecedented history of “fake” bodies.

Artificial bodies constructed in human likeness, from uncanny automatons to mechanical dolls, have long played a complex and subtle role in human identity and culture. This book takes a range of these bodies, from antiquity to the present day, to explore how we seek out echoes, caricatures and replications of ourselves in order to make sense of the complex world in which we live. Packed with case studies, from the commedia del’arte to Hans Bellmer and the 1980s supermodel, this volume explores the divide between the “real” and the constructed. Arguing that the body “other” plays a crucial role in the formation of the self physically and psychologically, leading scholar Adam Geczy contends that the “natural” body has been replaced by a series of imaginary archetypes in our post-modern world, central to which is the figure of the doll. The Artificial Body in Fashion and Art provides a much-needed synthesis of constructed bodies across time and place, drawing on fashion theory, theatre studies and material culture, to explore what the body means in the realms of identity, gender, performance and art.

"The mixture and range of cultural forces at play in this scintillating manuscript takes us on a cultural magical mystery tour that is as exciting as it is surprising, as provocative as it is erudite, as original as it is imaginative, and as thrilling as it is perverse." - Joy Sperling, Professor of Art History and Visual Culture, Denison University, USA

"A profoundly innovative study that presents surprising and far-reaching insights into the complex intersections between the phenomenology of dolls, masquerade and marionettes and post-modern subjectivities." - Mary Gluck, Professor of History and Comparative Literature, Brown University, USA

"Using several social science disciplines, Geczy undertakes a valuable overview of the changing significance of the doll in previous centuries and today. His analysis reveals important changes that are taking place in women's conceptions of the female body." - Diana Crane-Herve, University of Pennsylvania, USA

"Readers of Geczy’s book are in for a wild ride. The lavishly illustrated narrative moves in broad strokes from the commedia dell’arte to cyborgs, with grossout plastic surgery disasters and live sex dolls in between ... I recommend this book to anyone who enjoys a good recuperation of a neglected scholar, likes their art and fashion history mixed with a liberal dose of philosophical and social theory, or is simply curious about the role of dolls and the artificial body in the development of human self-understanding ... Geczy’s work makes for a thought-provoking, informative, and fascinating read." - Utopian Studies