Alone and exiled on a dilapidated houseboat, a man named Suttree lives amongst the outcasts of humanity. From Cormac McCarthy, author of No Country for Old Men and All the Pretty Horses.

In this semi-autobiographical work, a man abandons his life of privilege to live among eccentrics, criminals and the impoverished of Knoxville. Suttree is a humorous, compelling tapestry of life on the edge from Cormac McCarthy, author of The Road and Blood Meridian.

‘Suttree contains a humour that is Faulknerian in its gentle wryness, and a freakish imaginative flair' – Times Literary Supplement

1951. Cornelius Suttree lives alone, exiled on a disintegrating houseboat on the wrong side of the Tennessee River. As we meet him, Suttree watches the police haul the body of a suicidal man from the water. Amongst the living, the river is home to hermits, sex workers, alcoholics – and a witch.

Conjuring James Joyce's Ulysses, Suttree wanders the river with a detachment and wry humour, encountering a broad cast of humanity as he does – even as dereliction and destitution threaten the last of his remaining dignity.

'Suttree is like a good, long scream in the ear' – New York Times


Praise for Cormac McCarthy:

‘McCarthy worked close to some religious impulse, his books were terrifying and absolute’ – Anne Enright, author of The Green Road and The Wren, The Wren

'His prose takes on an almost biblical quality, hallucinatory in its effect and evangelical in its power' – Stephen King, author of The Shining and the Dark Tower series

'[I]n presenting the darker human impulses in his rich prose, [McCarthy] showed readers the necessity of facing up to existence' – Annie Proulx, author of Brokeback Mountain

"The book comes at us like a horrifying flood. The language licks, batters, wounds - a poetic, troubled rush of debris . . . Cormac McCarthy has little mercy to spare, for his characters or himself. His text is broken, beautiful and ugly in spots . . . Suttree is like a good, long scream in the ear " - New York Times

"A freakish imaginative flair reminiscent of Flannery O’Connor" - Times Literary Supplement