For six years Maya Stovall staged Liquor Store Theatre, a conceptual art and anthropology video project---included in the Whitney Biennial in 2017---in which she danced near the liquor stores in her Detroit neighborhood as a way to start conversations with her neighbors. In this book of the same name, Stovall uses the project as a point of departure for understanding everyday life in Detroit and the possibilities for ethnographic research, art, and knowledge creation. Her conversations with her neighbors—which touch on everything from economics, aesthetics, and sex to the political and economic racism that undergirds Detroit's history—bring to light rarely acknowledged experiences of longtime Detroiters. In these exchanges, Stovall enacts an innovative form of ethnographic engagement that offers new modes of integrating the social sciences with the arts in ways that exceed what either approach can achieve alone.

"“An important contribution to the conversation on performance ethnography and the ethics of representing racialized bodies in urban space, Liquor Store Theatre is a singular type of immersion across ethnography, historiography, geography, and art.”" - Shapeshifters: Black Girls and the Choreography of Citizenship

"The interest many will find here is the unexpectedness and complexity of the lives she reveals. Residents share memories and discuss neighborhood changes, talk about their experiences with family and work, housing, shopping, education, transportation, and their understanding of the forces that have shaped their lives. These are individuals, not subjects, and Stovall offers the particularities that good storytelling requires. Once we are able to see them as individuals, the residents of McDougall-Hunt are hard to ignore." - Artblog

"Stovall is an anthropologist by training, and this becomes abundantly clear in the first few pages of Liquor Store Theatre, which is meticulously researched and scintillatingly told. . . . The publication of Liquor Store Theatre therefore becomes a space to unpack the true depth of the project, as well as a site for exploring Stovall’s larger research methodology." - Pin-Up Magazine