In this first book-length study of Jewish art in America, Matthew Baigell explores works from the early settlers of America to the present. It concentrates on exploring and examining Jewish subject matter employed by artists as they illustrated aspects of their religious and ethnic heritage and as they responded to major events over the decades, including the Great Migration, the Great Depression, the Holocaust, and the founding of the State of Israel, as well as the dispersal of Jewish artists around the country and the rise of feminism and spiritualism in the late-twentieth century. Subjects include genre scenes of 'the Jewish street,' religious and spiritual themes derived from the Bible and the Kabbalah, and images that record the artists' participation in and witnessing of major events in their lifetimes. The author also considers the often asked questions: Is there a Jewish art? and, Is there a single Jewish Experience?

"In this first book-length study of Jewish art in America, Matthew Baigell explores works from the early settlers of America to the present. Baigell concentrates on Jewish subject matter employed by artists as they illustrated aspects of their religious and ethnic heritage and as they responded to major events over the decades, including the Great Migration, Great Depression, the Holocaust, and the founding of the State of Israel, as well as the dispersal of Jewish artists around the country and the rise of feminism and spiritualism in the late-20th century." - Jewish Book World

"The book's...merit lies in its useful documentation of the work of artists, some of them like Max Weber or Ben Shahn, reasonably well known, but in many instances much less familiar and perhaps worthy of greater attention that they have received." - CHOICE

"[Baigell] provides an excellent background for understanding the various contexts in which American Jews, including artists, have operated....[a] worthy addition to one's library." - American Jewish History, November 2008

"The editors hope that 'by historicizing the Jewish art question, the essays in this volume pose the question in different ways and, above all, keep it alive and unpredictable as a question that can shed light on the relationship between Jews, the arts, and modernity' (18)…. What is impressive about The Art of Being Jewish, and marks it as the most significant edited volume in the field since Catherine Soussloff's Jewish Identity in Modern Art History, published a decade ago, is the overall rigorousness and variety of its contributions…. Once thought to be a liability, it is precisely the imprecision of the term 'Jewish art,' its fecund ambiguity, which makes it most worth holding on to." - Religion and The Arts