Iain Morrison's debut collection I'm a Pretty Circler is experimental without being intimidating; conversational without being casual; and outrageous without shedding tenderness. Within its pages, Emily Dickinson rubs shoulders with drag queens, while nineteenth-century German composers are as likely to be referenced as dating apps. Morrison balances punchy, patterned short poems with longer more conversational or collaged works that explore ways in which sex, class, technology and religion intertwine in contemporary Britain.