Ethnographic study of South Asian American hip hop artists that looks at the cultural and political implications of these artists' use of black popular culture to create and express racial alliances

Hip Hop Desis explores the aesthetics and politics of South Asian American (desi) hip hop artists. Nitasha Tamar Sharma argues that through their lives and lyrics, young “hip hop desis” express a global race consciousness that reflects both their sense of connection with Blacks as racialized minorities in the United States and their diasporic sensibility as part of a global community of South Asians. She emphasizes the role of appropriation and sampling in the ways that hip hop desis craft their identities, create art, and pursue social activism. Some desi artists produce what she calls “ethnic hip hop,” incorporating South Asian languages, instruments, and immigrant themes. Through ethnic hip hop, artists, including KB, Sammy, and Deejay Bella, express “alternative desiness,” challenging assumptions about their identities as South Asians, children of immigrants, minorities, and Americans. Hip hop desis also contest and seek to bridge perceived divisions between Blacks and South Asian Americans. By taking up themes considered irrelevant to many Asian Americans, desi performers, such as D’Lo, Chee Malabar of Himalayan Project, and Rawj of Feenom Circle, create a multiracial form of Black popular culture to fight racism and enact social change.

"“As the first ethnography of South Asian American hip hop artists, this book is a welcome contribution to the study of hip hop, cultural ownership, and South Asian and black relations. The perspectives of Sharma and the desi hip hop artists at the centre of this study help to move the discussion beyond insular views of South Asian American youth culture to consider alternate subcultural identities and cross-racial alliances. . . . Sharma’s insightful and well-researched book has broadened the dialog regarding the role of musical communities in the forging of black and brown diasporic alliances.”" - Journal of Intercultural Studies

"“If anyone doubts that the hip hop desis have become a cultural phenomenon, reading Sharma's Hip Hop Desis . . . could challenge the notion.”" - India Abroad

"“This book will be of interest to critical race scholars, cultural sociologists, and interdisciplinary scholars of hip-hop as well as South Asian Americanists. It is an important contribution to the general literature on immigration and immigrants and the scholarship on racism.”" - American Journal of Sociology

"“This is a powerhouse of a contribution to the study of hip-hop culture. . . . Highly recommended. Upper-division undergraduates through faculty.”" - Choice