In Gilligan Unbound, a distinguished Shakespeare scholar and literary critic proves once and for all that popular culture can be every bit as complex, meaningful, and provocative as the most celebrated works of literature-and a lot more fun. Paul Cantor analyzes and interprets a wide variety of classic television programs with the same seriousness, care, and creativity as he would Hamlet or Macbeth to reveal how dramatically America's image of itself has evolved from the 1960s to the present. Cantor demonstrates how, during the 1960s, Gilligan's Island and Star Trek reflected America's faith in liberal democracy and our willingness to project it universally. Gilligan's Island, Cantor argues, is based on the premise that a representative group of Americans could literally be dumped in the middle of nowhere and still prevail under the worst of circumstances. Star Trek took American optimism even further by trying to make the entire galaxy safe for democracy. Despite the famous Prime Directive, Captain Kirk and his crew remade planet after planet in the image of an idealized 1960s America. With the end of the Cold War and the onset of unprecedented globalizing forces, faith in the American way of life has wavered. Contrary to the claims of those unacquainted with the cartoon, Cantor shows why The Simpsons is actually a powerful defense of the nuclear family and local communities, which has grown out of our growing disillusionment with national politics. In The X-Files we witness the treacherous workings of a government conspiracy, conveying the geopolitical anxiety that has emerged with the collapse of the clear-cut ideological polarities of the Cold War. By observing such trends in American popular culture, Cantor concludes that what had originally appeared to be the ultimate triumph of liberal democracy may in fact signal the beginning of a new phase of history, in which traditional forms of political organization have become obsolete and are being replaced by new global networks. Gilligan Unbound is a celebration of the profound possibilities offered by the study of pop culture. Cantor, without condescending to either his readers or his subject matter, rescues the serious study of popular culture from academic jargon and incomprehensible prose. See for yourself why his award-winning essays on professional wrestling and The Simpsons have attracted worldwide attention, and why the National Enquirer calls him a 'top prof.'

"Cantor provides a fascinating frame for discussions of popular culture." - Publishers Weekly

"A provocative book about the changes in pop culture during the last four decades." - The Washington Times

"Brilliant book. Books on television written by academics are always terrible. Gilligan Unbound is the exception that proves the rule. Cantor's book succeeds despite the fact that it is about television. His insights about life today are so intelligent that they sparkle despite being expressed in the context of pop-culture criticism." - The Weekly Standard

"Paul A. Cantor is a strange creature: a conservative professor of English at the University of Virginia who specializes in Shakespeare, loves pop culture, and is flat-out funny. . . . What makes Cantor's reflections impressive and credible is that, like a thimbleful of other conservatives such as Thomas Hibbs and John Podhoretz, Cantor absorbs the culture. He understands that it houses the bad and the good." - Los Angeles Times

"In this interesting book, Paul Cantor wants to see how globalization has itself become a theme in specific TV programs, and how they express changing attitudes toward the process. Cantor does not hide behind the scholarly jargon and methodoly so many popular culture scholars employ—scholars writing about the interests of the common man in terms the common man can never understand. In short, he takes popular culture seriously, but not too seriously. This book asks for a new respect for our popular culture and its role in our society." - The Roanoke Times

"One of the Best Books of 2001—Nonfiction Cantor has accomplished something so rare that it seems phenomenal: he has written a conservative book on pop culture that is smart and felicitous. Cantor has laid out a blueprint for how conservatives should engage the culture in the future." - Los Angeles Times

"A refreshing exception to the rule of academicians writing about popular culture." - Claremont Review of Books

"With the publication of Gilligan Unbound, Mr.Cantor has presented a complex and involved thesis lucidly and entertainingly." - The Virginia Advocate

"Providing an in-depth analysis of Gilligan's Island, Star Trek,The Simpsons, and The X-Files, the author examines what each series reflected about America in its era. Gilligan Unbound is well-argued." - Foreword Reviews

"An amazing work of scholarship that details how these four shows reveal a change in Americans' sense of their place in the world." - Magill's Literary Annual

"Far from being another exercise in exotic pedantry, Paul Cantor's new book is timely, readable, and provocative." - Commonweal Magazine

"An absolutely fine book, well-researched and well-written, convincing, and entertaining. Readers can take pleasure in the essays and be edified even if they have never watched Gilligan's Island, Star Trek, The Simpsons, and The X-Files. Of course, they will enjoy them even more if they are regular viewers of such shows, and be positively elated if they are 'fans.' I unhesitatingly recommend it." - Cercles

"Cantor's discourse has an elegant seriousness that is at the same time inherently laid-back and passionately vivacious." - Discourse & Society

"A smart, light-hearted analysis of American TV's attitudes toward globalization. Cantor writes with humor and wit whether discussing Shakespeare references in Star Trek or analyzing the cultural significance of Simpons Kwik-E-Mart owner Apu Nahasapeemapetilon and shows that TV's treasures and trash alike can offer serious commentary on the state of the world." - The American Enterprise