The book is a comparative study of popular music cultures in 1980s Torino, Tampere, Manchester and Düsseldorf and their relation to the industrial city as imaginary, as heritage and as everyday reality.

Popular music genres, such as hardcore punk, house, industrial, post-punk and heavy metal, share a common origin in 1980s decaying industrial cities. All these genres have been canonized and understood as “scores” for grey, gloomy, decaying urban industrial environments or for their evocation, but is there an organic relationship between de-industrialization and this kind of music production?

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With Deindustrialisation and Popular Music, Botta make an important contribution to the study of popular music and sound, in particular post-punk cultures, in the context of urban deindustrialization. His engaging and accessible book offers insightful theoretical reflections on, and historical contextualizations of, the intricate ways in which popular music production, aesthetics and consumption are interconnected.