Perhaps the most prolific and exacting reader of his generation, Garrett Stewart's first book of essays — on close analysis of novels, literary theory, conceptual art, and cinema — is joined by a new interview that helps account for the range and delicacy of his critical acumen.

In his first book of essays, Garrett Stewart demonstrates and reframes his formidable powers as a close reader of a vast range of texts: novels, films, songs, book art, digital media, and more.

Among the most prolific and exacting readers of his generation, Stewart is renowned for his virtuosic interventions across a number of humanistic fields, including prose narrative, screen studies, and literary theory. Elected to the American Academy of Arts and Sciences in 2010 and winner of the International Society for the Study of Narrative’s prize for Novel Violence (2009), Stewart draws on these varied realms in his intensive readings of enduring works across media – ones worthy of a re-view and a closer look.

Closer Reading, like Stewart’s writing more broadly, offers up-close analyses of novels, poetry, cinema, and conceptual art, including chapters on Gerard Manley Hopkins, Charles Dickens, Francis Ford Coppola, Stanley Cavell, and John le Carré. A collection a half-century in the making – yet brimming with critical notes from the vanguard – Closer Reading finds Stewart demonstrating, from sentence to sentence, a sustained rethinking of the value of close reading not just as a methodology but also as a cognitive disposition.

Leaving paranoid, symptomatic, and surface reading to the side, Stewart revels in the workings of sentences and the many senses of media. Such a “prismatic reading” affords insight into the spectrum of interpretation and the bent light of interaction, refraction, and diffraction. To dwell in the astute and generous line of Stewart’s inquiry is to experience an exhilaration rare in critical commentary. Featuring full-length essays, including still-potent early publications and accompanied by an entirely new and wide-ranging interview with David LaRocca, Closer Reading provides a deep and satisfying critical survey of and immersion in Garrett Stewart’s inimitable oeuvre.

"Garrett Stewart is arguably the finest close reader of English texts on the planet. This new book of essays offers a cornucopia of delights on a wide range of literary and cultural topics. Its release is an occasion for celebration – and for devouring its contents as soon as possible." - N. Katherine Hayles, Distinguished Research Professor of English, University of California, Los Angeles, USA, and author of Bacteria to AI: Human Futures with our Nonhuman Symbionts

"It is never enough for Garrett Stewart merely to write, down or out, the results of his reading, whether of literature, film, or art. His impulse is rather to strain ever closer to the objects of his close readings, to attain a propinquity intimate enough to enter into composition with them. The results, in what Stewart calls the ‘textual prismatics’ arrayed here, are uniquely collusive alloys of reading and writing, which magically protract, dilate, and reinflame the works that they treat." - Steven Connor, Grace 2 Professor of English Emeritus, University of Cambridge, UK

"To read Garrett Stewart’s expansive readings is to enter an expanding world: texts, images, and forms come more alive than they were before we read his account of them. His attention to novels, films, art objects, and criticism enlarges our very senses and makes us see how active reading can be." - Frances Ferguson, Mabel Greene Myers Distinguished Service Professor of English, University of Chicago, USA

"This book offers a welcome opportunity to retrace and to connect some of Garrett Stewart’s brilliantly eccentric footsteps. These essays – on Dickens, Hopkins, and Conrad, on Le Carré, Cavell, and conceptual art – are technically eccentric because, as they maintain an elliptic or parabolic orbit around criticism’s shifting centers of gravity (New Historicism, postcolonial theory, surface reading, etc.), they use the official history of literary scholarship as a spur to Stewart’s unofficial, beautifully errant, and always exciting thought." - Kent Puckett, Professor and Ida May and William J. Eggers Jr. Chair in English, University of California, Berkeley, USA