‘I mean who cares about opinions, gossip, whatever, when bodies are so vulnerable, in search only of love and breath.’

Brilliant young writer Ellena Savage explores Portuguese police stations and Portland college campuses, suburban Melbourne libraries and wintry Berlin apartments. She circles back to scenes of crimes or near-crimes, to lovers or near-lovers, to turn over the stones, re-read the paperwork, check the deeds, approach from another angle altogether. These essays traverse cities and spaces, bodies and histories, moving through forms and modes to find a closer kind of truth. Blueberries is ripe with acid, promise, and sweetness.

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‘In this electric collection of personal essays, Savage leads readers through a range of subjects … There is so much to admire in Savage’s literary style … Savage deftly shifts between stylistic devices, narrative voices, and time, and the result is breathtaking … The collection, for all its differences in tone, content, and structure, comes together beautifully.’

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‘Savage explores the sites of identity — trauma, gender, class, religion, the body — in clear rhythmic prose.’

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‘Ellena Savage is a rare kind of true intellectual, a voice that rises above the cacophony with remarkable insight. In Blueberries she cuts fearless swathes through the ways that we write and think and live now and leaves us far better for it: the book is unsettling, life-affirming and essential.’

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‘Quite simply one of the best essay collections of the last twenty years.’

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‘A breathtaking interrogation of the self in the world; the self within structures of power and oppression … Blueberries is exciting and distinctive.’ STARRED REVIEW

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‘Savage navigates delicate and difficult terrain with wit, ruthless scrutiny and painfully sharp analysis … If Yellow City is any indication, Blueberries will be one of the most exciting debuts of the new year.’

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‘The 15 essays contained here wear various guises, from experimental prose to poetry, memoir to polemic to cultural critique. … Savage’s idealism and eloquence are a much-needed counterbalance to our by-now-threadbare belief that all the hard questions of how to order our world have been answered, that everything unsettling such certainty is a glitch, to be soldered onto the technocratic motherboard and run through the circuits of the polity. Blueberries is an adamant and unruly book. It is also the most exciting work of creative nonfiction to be published in this country since Maria Tumarkin took up the pen.’

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‘In fifteen works, Savage blends memoir, personal essay, stream of consciousness, journalism, and prose poetry to interrogate the messy and fragmented life of a writer, a woman, and a body … A masterclass in experimental nonfiction…Savage is fiercely intelligent and manages to inject dry humour into even the most serious topics, creating a delicate balance between dire existentialism and life-affirming joy. By questioning the very nature of memoir itself, Savage breathes new life into the non-fiction form and considers what it means to be alive in today’s uncertain world.’

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‘Savage plays with form like a poet, and excavates the roots of her experience with an impressive generosity and fierce intelligence that mirror her mentor, Maria Tumarkin … Fans of Tumarkin and Jia Tolentino should hunt this down … and luxuriate in a recent past where whiplash-inducing international travel was an option.’

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‘[F]or fans of the understated yet insightful prose of Rachel Cusk and Sally Rooney … Wrestling with the intricacies of memory, identity, class and trauma, [Blueberries] sees Savage contemplate her past with unflinching clarity … Take it to your next book club.’

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‘Ellena Savage has produced a collection that defies categorisation but is fervently experiential, candid, and original.’

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‘For fans of Maria Tumarkin, Kathy Acker, and Maggie Nelson, Blueberries marks Savage as an experimental writer and essayist to watch.’

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‘Blueberries asks piercing questions about power, desire, and violence. The essays explore what it means to be an artist, a body, a woman, a friend, a lover, a daughter — and how these roles intersect with systems of oppression. Each essay has its own form and process, but in each one Savage focuses her sharply analytic eye on the world she moves through — as well as on herself.’

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‘A collection of finely judged personal essays … The writing is great, but Ellena Savage’s adeptness with form is what really makes this worth reading.’

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‘The essays display a fiercely intelligent mind that blends the personal with polemic ... It is original, forthright, and will have you challenging your own views and assumptions.’

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‘That the self exists in narrative form lies at the centre of Blueberries, as Savage explores the sites of identity — trauma, gender, class, religion, the body — in clear, rhythmic prose … In the last few pages she expunges herself from the narrative, exposing the scaffolding of her project, and leaves us to ponder the untold: the self that is yet to be, “the she of what next: action”.’

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‘Blueberries is a sometimes playful, sometimes fierce collection that is, in its own zigzagging way, a coming-of-age story. In every piece, Savage has a biting interrogation of the world and herself … Savage is an excellent critic and a droll one.’

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‘Never before has memoir read quite like this … a collection that challenges, tests and demands engagement from the reader … a journey of experimentation that is fuelled by her strong, independent voice throughout. In form and in content, Blueberries is exquisite.’

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‘Savage is skilled at imparting language to universal feelings that are difficult to articulate.’