The story of television and how it has changed our lives - from the moon landings to the X Factor.

But what does your furniture point at?' asks the character Joey in the sitcom Friends on hearing an acquaintance has no TV. It's a good question: since its beginnings during WW2, television has assumed a central role in our houses and our lives, just as satellite dishes and aerials have become features of urban skylines. Television (or 'the idiot's lantern', depending on your feelings about it) has created controversy, brought coronations and World Cups into living rooms, allowed us access to 24hr news and media and provided a thousand conversation starters. As shows come and go in popularity, the history of television shows us how our society has changed. Armchair Nation reveals the fascinating, lyrical and sometimes surprising history of telly, from the first demonstration of television by John Logie Baird (in Selfridges) to the fear and excitement that greeted its arrival in households (some viewers worried it might control their thoughts), the controversies of Mary Whitehouse's 'Clean Up TV' campaign and what JG Ballard thought about Big Brother. Via trips down memory lane with Morecambe and Wise, Richard Dimbleby, David Frost, Blue Peter and Coronation Street, you can flick between fascinating nuggets from the strange side of TV: what happened after a chimpanzee called 'Fred J. Muggs' interrupted American footage of the Queen's wedding, and why aliens might be tuning in to The Benny Hill Show.

"Joe Moran is a wonderfully gifted social historian, with a ravenous capacity for research ... He is particularly good at overturning the bogus collective memories to which television so often gives rise ... His sources from diaries and memoirs are rich and varied ... Armchair Nation offers rich pickings for those, like me, who struggle to remember (everything we've watched)." - Mail on Sunday

"One of the most entertaining things about the book - and there are many - is finding out how many of the things we think we know about television are either myths, or simply hogwash ... As well as being consistently perceptive in his observations, Moran has done something I would confidently have thought impossible - he's made the history of British TV as dramatic as it is fun." - Sunday Telegraph

"You will find a lot to love in Armchair Nation. Impeccably researched ... Perhaps the most admirable thing about this book is that it treats television with proper seriousness." - New Statesman

"A richly detailed book, as profoundly nostalgic as scoffing Findus Crispy Pancakes or Bird's Eye Potato Waffles." - Daily Mail

"A formidable historical analysis of the gogglebox ... Moran's achievement is remarkable given the breadth of subject matter ... Extensive research is lightly worn" - Independent

"Moran is scholarly but welcoming ... But in its insights, clarity and honest wit, it's hard to imagine a more engaging book on a subject everyone already thinks they know about. As in the best TV itself, you find yourself learning something new with almost no effort." - Observer

"A warm, witty cultural history of television ... Moran creates a compelling and surprising patchwork of the nation through its viewing habits and rituals ... Armchair Nation may provoke nostalgia, but it's never enslaved by it - it's a timely and hugely entertaining assessment of a medium in flux." - Time Out

"A scholarly, accessible and illuminating history of the everyday." - The Lady

"Armchair Nation is as compulsive as any soap, as informative as any documentary and as funny as any sitcom. Moran knows and loves his subject, exploring well-covered territory as well as the less familiar with wit and perception." - The Stage

"Joe Moran is a superb elegist of the mundane ... Armchair Nation is a captivating look at a universal but unsung subject: the British television viewer ... packed with glorious details" - Country Life

"One would expect a book from a professor of English and cultural history to be immaculately researched, but the real joy of Armchair Nation is that it's crammed full of such wry, perceptive cultural nuggets ... genuinely enthralling." - Observer