Algeria Cuts discusses the figure of woman, both under colonial rule in Algeria and within the postcolonial independent nation-state. It is an interdisciplinary project that spans fine art, film, colonial and legal policy, manifestos, prose fiction, and theoretical and philosophical texts concerning the relationship between France and Algeria. Khanna investigates gendered representation, identification, and justice, and in the process, calls into question the ways in which conventional disciplinary frameworks foreclose certain avenues of reflection while foregrounding others. Algeria Cuts seeks to understand Algeria and Algerian women as a philosophical site that facilitates an understanding of justice and the pursuit of feminism.

"Brilliantly argued and powerfully written, Algeria Cuts also benefits from a generous thirty images, an enigmatic cover by Zineb Sedira, and fifty pages of meticulous footnotes. It is a beautiful book as well as an urgent one, and a massive contribution to the postcolonial field, as well as to the emerging area of Algerian cultural studies." - Interventions: International Journal of Postcolonial Studies

"Algeria Cuts is a timely and challenging reflection on how women elude and confound direct representation in literature, the arts, politics, law, and justice under conditions deeply inflected by colonialism and its aftermath. Pursuing the implication of this representational disruption for an ethics and a practice of transnational feminism, Khanna meticulously resists disciplinary strictures and the predictable conclusions they yield. Her analyses of mock trials, film, painting, manifestos, prose fiction and installations illuminate the multifarious junctures where gender disturbs representation in Algerian texts and contexts. While the focus here is on Algeria, this important book's insights and novel interdisciplinary method reach well beyond its immediate context." - Cornell University