Combining work on physical and vocal embodiment with exercises in imagination and interpretation, this book facilitates a fuller, freer and more complete use of the self when it comes to creating a role.

Combining work on physical and vocal embodiment with exercises in imagination and interpretation, this book facilitates a fuller, freer and more complete use of the self when it comes to creating a role.

Building on established methodologies and existing research, such as the Alexander Technique, Estill Voice Craft, polyvagal theory and works by major practitioners – including Michael Langham, Niamh Dowling, Glen Park, Carolyn Serota, Sally Grace, Patsy Rodenburg, Cicely Berry, Kristin Linklater and Josephine Estill – this book offers a holistic approach to voice work and acting.

"Alex Taylor has a lifetime's experience of working with actors, in the industry and in training, and a great knowledge and understanding of how the imagination, body and voice work together. He has great knowledge and understanding of the actor’s body and voice . He does not preach but offers us practical help and encouragement . He is realistic, offering a great range of exercises which are easy to follow, inviting us to make our own choices and judgements and to keep our individuality. I wish this book had been available to me as a young actor but at least I can use it now." - Lynn Farleigh

"Working with Alex Taylor at theatre school in my formative years was transformative to say the least. I owe so much of my development as a young actor to Alex and his teachings. At once intense, gently radical and subtly powerful, Alex Taylor’s methods and discourse made me the actor I am today. Thank you Alex!" - Kevin McKidd