• Digital galley and print review copy mailings to major book reviews, literary journals, and library buyers' guides.
• Author interview pitches.
• Social media campaign.
• Outreach to independent booksellers.
• Outreach to poetry and related literary organizations including BOMB, Paris Review, the White Review, and the New Yorker.
• Publicity and promotion in conjunction with the author events, including events scheduled at McNalley Jackson and Fordham University.
• Display at conferences and bookfairs, including Brooklyn Book Festival, Printed Matter Book Fair and AWP.
• Co-op available

"These sentences—they—will begin having already been sentences somewhere else, and this will mark their afterlife, and this will be their debut." So begins Renee Gladman's latest interdisciplinary project, Plans for Sentences. A tour de force of dizzying brilliance, Gladman's book blurs the distinctions between text and image, recognizing that drawing can be a form of writing, and vice versa: a generative act in which the two practices not only inform each other but propel each other into futures. In this radical way, drawing and writing become part of a limitless loop of energy, unearthing fertile possibilities for the ways we think about poetry. If Gladman ascribes to any particular type of poetics, here in Plans for Sentences, we are sure to find that it is robustly grounded in a poetics of infinite language.