Serial rights targeting The New Yorker, Los Angeles Review of Books, The Paris Review, Literary Hub, and others Print and digital publicity targeting Texas Monthly, Dallas Morning News, KERA, VICE, The Rumpus, Electric Literature, Book Riot, Rain Taxi, Full Stop, World Literature Today, Asymptote, Words Without Borders, The Millions, and others Promotion at or events pitched for Brooklyn Book Festival, Texas Book Festival, and Winter Institute Review copies will be sent targeting all major print and digital literary media outlets, reviewers, and booksellers; additional copies available upon request Promotion on the publisher’s website (deepvellum.org), Twitter feed (@deepvellum), and Facebook page (/deepvellum); and publisher’s e-newsletter

When Mathilde’s stepfather dies in Denmark, she is plagued by worries about the potential death of her American father on the other side of the Atlantic. In a desire to catalog her love for, and memories with, her father, Mathilde travels to America and writes a novel about their relationship that she has always known she should write. Lone Star is about distances: the miles between a father and daughter; the detachment between Mathilde’s Danish upbringing and her American family; the separation of language; and the passage of time between Mathilde’s adulthood and the summers she spent as a child in St. Louis. These irrevocable gaps swirl as Mathilde voyages to meet her father in Texas to explore a relationship that still has time to grow. At once a travelogue and family novel, Lone Star occupies the often-mythologized landscape of Texas to share a story of being alive and claiming the right to feel at home, even across the ocean.