Serious, comic, brave, cowardly, engaged, disengaged, urgent, unurgent, chattering chiffchaff, talking horses, unpretentious, pretentious, all of God’s creatures are here. There’s also an almost – but not quite – dialogue between the poems and the laconic (and sometimes furious) musings of the passages which punctuate them. There are a series of fairytale poems, and others which give unfettered voice to Marcie, a character who has appeared in Mark Waldron's previous books. Behind the humour and playfulness, there is always something deeply unmeant, meant.

"Clearly, Waldron has enough wit and imagination to sink a battleship, but perhaps the most interesting thing about his work is the use to which he puts features widely disseminated in contemporary poetry: randomness, whimsy, play and inconsequence…. When Waldron exploits these traits and turns them inside out, he shows an impressive elegance and rhetorical power, sustained despite a blizzard of broken registers and bits of this and that. His work reveals an authority it might at first seem far from seeking. The outcome is poetry that might count for something." - Guardian, on Meanwhile Trees

"His special skill is comedy, but not the standup sort. His speakers expose themselves self-accusingly, defiantly, or bashfully, while at the same time seeming snug as bugs in their tightly interlocked chainmail of precise language…. And there lies the delight of the collection: it gives us a rare sense of the Elizabethan richness of an English that’s available right now. Underneath the defamiliarising ingenuity, the political pretension-pricking and all the narrative verve and swerve, the diction is the real star of this invigorating book." - Observer, Poetry Book of the Month, on Meanwhile, Trees

"He has since been publishing books steadily every few years and his latest, Sweet, Like Rinky-Dink, continues to develop his distinctive voice…. [an] accomplished and entertaining collection that showcases Waldron’s mercurial poetic voice." - TLS