1. Marketing and publicity efforts will extend to the poetics and transgressive fiction fan-base that Field's work has already established and reach beyond it to target music, performance, and theater communities, especially in New York and Chicago, that are open to the experimentation, "wildness," and the artistry that this book offers. 2. Additional marketing will include internet advertising and a large galley mailing focusing on lit blogs, alternative weeklies, theater and cultural studies publications, art magazines, poetics journals, and adventurous independent booksellers. 3. We'll promote the book at all major academic conferences. Tour: New York, NY; Boulder, CO; and more TBA.

Operatic in scope, ULULU (Clown Shrapnel) is a dramatic, genre-bending narrative and a lyrical cultural biography of the archetypal seductress Lulu. In a furious performance of text and imagery, Thalia Field introduces us to the stock characters of the commedia, the famous plays, operas, and silent films in which Lulu appeared, the artists who brought her to life, and the censorship and controversy that she engendered. The myth of “Lulu” began during the height of late-nineteenth-century Viennese culture with a sequence of two plays by Frank Wedekind (Earth Spirit and Pandora’s Box), and continued through the two world wars with Lulu, an unfinished opera by Alban Berg, and Pandora’s Box, a highly acclaimed film by G.W. Pabst, starring Louise Brooks. Throughout all of Lulu’s incarnations she met with censure—Wedekind’s plays were banned from the stage, Berg’s opera, which contained a secret score for his young lover, was kept from the public by his widow, and Pabst’s erotic film was too risqué for many. As Field’s story peeks into the dressing rooms and back alleys of history, words take the stage, “fictional” and “historical” characters speak side by side, and lyrical symbolism undulates throughout the pages. Original and treated footage from award-winning filmmaker Bill Morrison and illustrations from artist Abbot Stranahan complete this masterful work of avant-garde fiction, presented in a numbered and signed first edition limited to 1,500 copies. In addition to her multimedia performance work, Thalia Field, an assistant professor at Brown University, is the author of Point and Line and Incarnate: Story Material.Operatic in scope, ULULU (Clown Shrapnel) is a dramatic, genre-bending narrative and a lyrical cultural biography of the archetypal seductress Lulu. In a furious performance of text and imagery, Thalia Field introduces us to the stock characters of the commedia, the famous plays, operas, and silent films in which Lulu appeared, the artists who brought her to life, and the censorship and controversy that she engendered. The myth of “Lulu” began during the height of late-nineteenth-century Viennese culture with a sequence of two plays by Frank Wedekind (Earth Spirit and Pandora’s Box), and continued through the two world wars with Lulu, an unfinished opera by Alban Berg, and Pandora’s Box, a highly acclaimed film by G.W. Pabst, starring Louise Brooks. Throughout all of Lulu’s incarnations she met with censure—Wedekind’s plays were banned from the stage, Berg’s opera, which contained a secret score for his young lover, was kept from the public by his widow, and Pabst’s erotic film was too risqué for many. As Field’s story peeks into the dressing rooms and back alleys of history, words take the stage, “fictional” and “historical” characters speak side by side, and lyrical symbolism undulates throughout the pages. Original and treated footage from award-winning filmmaker Bill Morrison and illustrations from artist Abbot Stranahan complete this masterful work of avant-garde fiction, presented in a numbered and signed first edition limited to 1,500 copies. In addition to her multimedia performance work, Thalia Field, an assistant professor at Brown University, is the author of Point and Line and Incarnate: Story Material.