The cult classic that describes with devastating, darkly comic clarity the experience of living with and dying from AIDS

With a foreword by Maggie Nelson, an introduction from Frieze editor Andrew Durbin and afterword from Edmund White 'Unforgettable, heartbreaking' New York Times 'Brilliant' - Dazed 'As brutal as it is elegant' - Neil Bartlett 'Electrifying' - Colm Tóibín 'Dazzling' - Katherine Angel After being diagnosed with AIDS, Hervé Guibert wrote this devastating, darkly humorous and personal novel, chronicling three months in the penultimate year of the narrator's life. In the wake of his friend Muzil's death, he goes from one quack doctor to another, from holidays to test centres, and charts the highs and lows of trying to cheat death. On publication in 1990, the novel scandalized French media, which quickly identified Muzil as Guibert's close friend Michel Foucault. The book became a bestseller, and Guibert a celebrity. The book has since attained a cult following for its tender, fragmented and beautifully written accounts of illness, friendship, sex, art and everyday life. It catapulted Guibert into notoriety and sealed his reputation as a writer of shocking precision and power.

"[Full of] innovation and historical importance, ... breathtaking indiscretion, tenderness and gore." - New York Times

"The father of autofiction, the master of finding that perfect balance of truth and beauty." - Guardian

"As much about friendship, intimacy, and betrayal as it is about sickness. ... Brilliant" - Dazed

"A writer of courage, beguiling flair" - New Yorker

"Relentlessly honest, extraordinarily truthful" - Kirkus Reviews

"This moving French bestseller ... reads like a personal memoir. Delivered with wit, verve and valor" - Publishers Weekly

"The book is a lightly fictionalized (and magnificently indiscreet) account of the final days of the philosopher Michel Foucault, Guibert's neighbor and friend. Guibert possesses an aloof, silvery style - a cool envelope for scalding material: a homage to a friendship and its betrayal, and a document of the breakdown of his own body. It is an unforgettable, heartbreaking evocation of the early days of the epidemic, when gay men were forced to become their own scientists, lobbyists, archivists." - New York Times

"Outstandingly colloquial and exact translation ... urgent and monitory. ... Restrained and controlled...but full of well-noticed contrasting details that combine to create an effect that Guibert...characterized as "barbarous and delicate."" - Book Forum

"'Reveals a writer of courage, beguiling flair, and sometimes maddening nastiness ... The rare book that truly deserves the epithet "unflinching." Its author may be afraid to die, but on the page his voice doesn't crack, his hand doesn't tremble. ... In Linda Coverdale's masterly translation ...[the book] powerfully evokes the aids epidemic's uncertain early days." - New Yorker

"[Guibert's] work has been strangely neglected in the Anglophone world, never mind its innovation and historical importance, its breathtaking indiscretion, tenderness and gore. How can an artist so original, so thrillingly indifferent to convention and the tyranny of good taste - let alone one so prescient - remain untranslated and unread?" - New York Times

"Thirty years on, it can be hard to adequately describe what things felt like when AIDS first swung its wrecking ball. But that's exactly what Guibert achieves. He writes from the inside, and deploys every trick of his famously disinhibited prose to make sure that the squalor and madness of his journey through HIV infection hit us right between the eyes . His testimony is as brutal as it is elegant; shot through with a scalding and necessary rage." - Ready to Catch Him Should He Fall