Although largely forgotten now, the 1885 trial of German artist Gustav Graef was a seminal event for those who observed it. Graef, a celebrated sixty-four-year-old portraitist, was accused of perjury and sexual impropriety with underage models. On trial alongside him was one of his former models, the twenty-one-year-old Bertha Rother, who quickly became a central figure in the affair. As the case was being heard, images of Rother, including photographic reproductions of Graef's nude paintings of her, began to flood the art shops and bookstores of Berlin and spread across Europe. Spurred by this trade in images and by sensational coverage in the press, this former prostitute was transformed into an international sex symbol and a target of both public lust and scorn. Passionate discussions of the case echoed in the press for months, and the episode lasted in public memory for far longer. The Graef trial, however, was much more than a salacious story that served as public entertainment. The case inspired fierce political debates long after a verdict was delivered, including disputes about obscenity laws, the moral degeneracy of modern art and artists, the alleged pernicious effects of Jewish influence, legal restrictions on prostitution, the causes of urban criminality, the impact of sensationalized press coverage, and the requirements of bourgeois masculine honor. Above all, the case unleashed withering public criticism of a criminal justice system that many Germans agreed had become entirely dysfunctional. The story of the Graef trial offers a unique perspective on a German Empire that was at the height of its power, yet riven with deep political, social, and cultural divisions. This compelling study will appeal to historians and students of modern German and European history, as well as those interested in obscenity law and class and gender relations in nineteenth-century Europe.

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Hartston's book is a well written and engaging study. The author successfully uses the Graef trial to shine a light on the reactions of German male bourgeois elites to social and economic transformations taking place in the 1880s, an era, he argues, that historians too frequently ignore in favor of the 1890s. The book speaks to several historiographic discussions within German history and will be of value to students of the legal, cultural, and social history of late nineteenth-century Germany.

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Hartston skillfully weaves art and society into his description of a political critique of German liberalism, relying on the criminal justice system to demonstrate a 'silent revolution' against bourgeois dominance.In the end, Hartston insists, 'substantial progressive and democratizing tendencies within imperial Germany' moved the country forward through a series of nearly constant 'political, cultural, and legal clashes.'

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...engaging study of a court case that took place in Berlin in the fall of 1885.

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It is Hartston's deft balancing of a particular focus on the Graef trial and a broader view of its historiographical implications that makes this book a successful example of microhistory.In clear and beautiful prose