Two stories -one depicts the horrors of the Holocaust, the other the lifetime of emptiness that pursues a 'survivor' - by a Pulitzer Prize finalist

Fierce, concentrated, and brutal, The Shawl burns itself into the reader's imagination with almost surreal power' The New York Times

Consider also the special word they used: survivor. Something new. As long as they didn't have to say human being.

In the middle of winter, weak and starving, Rosa marches to a Nazi concentration camp. She clutches her baby to her chest, wrapped in a shawl. Later Rosa will stuff the shawl into her mouth to stop herself from screaming out at the horrific event she must witness.

Thirty years later, in a summer without end, Rosa is in Miami. Her anger and grief have become her dementia and her sustenance, and a shawl conjures the spirit of her murdered child.

A modern classic and a masterpiece in both acts, The Shawl succeeds in imagining the unimaginable: the horror of the Holocaust and the unfillable emptiness of its aftermath.