Space opera on an epic scale – as it should be. Part two of a violently energetic and energetically entertaining three-part mil-SF extravaganza.

Centuries after they were defeated and exiled to dark space, The Sturm have returned. The Sturm, an empire of species purists, have returned from the farthest reaches of Dark Space to wage a war against what they call mutants and borgs: any human being with genetic or neural engineering. In a sneak attack on the galaxy-spinning networks, they overwhelmed almost all of humanity's defenses, blasting dark code that transformed anyone connected to the system into a mindless psychotic killer. The Sturm's victory seemed complete, their final triumph inevitable, until one small band of intrepid, unlikely heroes struck back. Commander Lucinda Hardy and Admiral Frazer McLennan used the Armadalen Navy's final surviving warship to fend off the Sturm, destroying the massed power of an entire Attack Fleet. With brilliant tactics, this ragtag crew sent the Sturm running, managing to save Princess Alessia, the sole surviving heir to the gigantic Montanblanc Corporation and perhaps Earth's only remaining senator. Now left with the remains of a fallen civilization, they must work together to rebuild what was lost and root out the numberless enemies of Earth. The Sturm invaders remain vastly more powerful – and they may not be the only threat lurking in the darkness of space...

"Canters along at a good clip, dashing off insane cannibals, exploding warships, detached heads, and cartwheeling body parts, with occasional transfusions of dark comic relief. Some highlights: McLennan appears stark naked to greet a bunch of pompous bigwigs; in a riotous bar scene, Sephina and crew, Yakuza, and Sturm all blaze away at each other; Booker's dismay at being loaded into a mechanical hedge trimmer... Frenetic action viewed in a black fun-house mirror'" - Kirkus Reviews

"There are few works of sci-fi today that put readers on the edge of their seats as well as giving them food for thought, and Birmingham succeeds at both" - New York Journal of Books