Bombarded with the equivalent of one Hiroshima bomb a day for half a century, Pacific people have long been subjected to man-made cataclysm. Well before climate change became a global concern, nuclear testing brought about untimely death, widespread diseases, forced migration, and irreparable destruction to the shores of Oceania. In The Ocean on Fire, Anaïs Maurer analyzes the Pacific literature that incriminates the environmental racism behind radioactive skies and rising seas. Maurer identifies strategies of resistance uniting the region by analyzing an extensive multilingual archive of decolonial Pacific art in French, Spanish, English, Tahitian, and Uvean, ranging from literature to songs and paintings. She shows how Pacific nuclear survivors’ stories reveal an alternative vision of the apocalypse: instead of promoting individualism and survivalism, they advocate mutual assistance, cultural resilience, South-South transnational solidarities, and Indigenous women’s leadership. Drawing upon their experience resisting both nuclear colonialism and carbon imperialism, Pacific storytellers offer compelling narratives to nurture the land and each other in times of global environmental collapse.
"“In The Ocean on Fire, Anaïs Maurer brings together an impressive archive of primary and secondary sources to highlight the underexamined field of Pacific literature through two of the most urgent and profound issues: nuclearism and climate change. Maurer’s deep knowledge of Pacific culture, history, politics, and ecologies is especially welcome in her analysis of the creative works she studies.”" - Navigating CHamoru Poetry: Indigeneity, Aesthetics, and Decolonization
"“This is an important and timely book that assists in the ongoing calls from the Pacific to acknowledge that the region as still inhabited, still politically active, and still resisting—not drowning but fighting. . . . For those interested in climate justice and a liveable world, or a world of life, the Pacific should be leading the way. Maurer’s conclusion is powerful, reminding us that this is not a book about solutions to environmental collapse, but about insisting on life.”
" - Antipode
