When it comes to deciding the most tragic British artist of the 20^th century, Cyril Mann (1911-80) must be a contender. Mann made a number of genuinely innovative breakthroughs and certainly had the potential to become one of the most important figurative painters of his time. Yet, struggling with mental health problems, Mann had an unerring instinct for turning each moment of promise into bitter disappointment.

In 1959, Renske van Slooten fell in love with Mann who was more than twice her age. Renske was convinced she discovered a genius and she promised to dedicate her life to him as muse, model and money earner. Their struggles quickly threatened to overwhelm them.

The Girl in a Green Jumper is not only an enthralling story set against the backdrop of 1960s London, but it also charts in detail the struggles an artist goes through, both creatively and financially. Renske also gives fascinating insights into the way that Cyril's painting technique evolved over time.

"The book gives [Cyril Mann] overdue and deserved recognition while offering a snapshot of everyday life in a time of drastic social change in Britain. Beyond a story of artistic and romantic tragedy, Girl with the Green Jumper tells of a woman's quest for liberation. It reminds readers that behind many of history's male artists there was a muse, a partner or wife, many of whom suffered in silence as they denied their own needs." - The Critic

"An enthralling account of a muse's life with troubled artist Cyril Mann...Renske's account of their relationship reads like a real-life La Bohème. Brimming with insights...Renske's book is an important stone in the still-developing edifice of the reputation of an artistic genius." - Jewish Chronicle

"A poignant memoir...a gripping read." - Art Muse

"The detail in this book is compelling - because Renske was so often in the room - but so too are the complexities of being a muse and a young woman growing wise in the 1960s...This book is totally recommended: for yourself or anyone with an interest in art and design." - Islington Faces

"A simply, lovingly told, tour de force." - Monk magazine

"As intelligent as it is engaging. It also contains a beautifully produced, generous selection of Mann's marvellous, undeservedly neglected work." - Jewish Chronicle Books of the Year

"This is a fascinating and poignant book that may interest a wider readership than art lovers, given its central May-December focus and a definite feel for a 1960s London." - LouReviews