What is the relationship between a cinematic grid of color and that most visceral of negative affects, disgust? How might anxiety be a matter of an interrupted horizontal line, or grief a figure of blazing light?

Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard, and David Lynch, Brinkema shows that deep attention to form, structure, and aesthetics enables a fundamental rethinking of the study of sensation. In the process, she delves into concepts as diverse as putrescence in French gastronomy, the role of the tear in philosophies of emotion, Nietzschean joy as a wild aesthetic of repetition, and the psychoanalytic theory of embarrassment. Above all, this provocative work is a call to harness the vitality of the affective turn for a renewed exploration of the possibilities of cinematic form.

"Eugenie Brinkema’s The Forms of the Affects is overflowing with words that splice subjects together in numerous, thrilling combinations. . . .Brinkema’s use of language... brilliantly materialises the book’s central thesis." - Review 31

"“[Brinkema’s] first book restores affect as a theoretical site of limitless possibility rather than the term of interpretive foreclosure it has largely become. The Forms of the Affects is a tantalizingly ambitious contribution to affect theory that may even prove sui generis as affective film studies turns over a new leaf of close reading.”" - Afterimage

"“Highly recommended. Graduate students, faculty, researchers.”" - Choice

"[A] bold corrective to affect scholarship in film studies . . . as challenging theoretically as it is delightful and useful formally. It models freedom and ingenuity in its extraction of form out of intellectual history on emotions, etymology, and even culinary knowledge, and in its patient and playful reading of film." - Film Criticism

"Eugenie Brinkema’s The Forms of the Affects is an innovative book that will surely be of great interest to scholars of affect and film studies in particular, but the possibilities for her method will also be useful to those in visual studies, literary, feminist, and queer theory, philosophy, and cultural studies more broadly."  - Reviews in Cultural Theory

"To anyone interested in questions of form and affect, this important book is sure to generate discussion for some time to come.... Reading this book is, dare I say it, an exhilaratingly affective experience." - Film Quarterly

"The Forms of the Affects is a beautifully written, complex text that weaves together visual and temporal forms drawn from film and literature with the affects grief, disgust, anxiety and joy." - Emotion, Space and Society