An approachable abridgment of Sartre’s important analysis of Flaubert.
 
From 1981 to 1994, the University of Chicago Press published a five-volume translation of Jean-Paul Sartre’s The Family Idiot: Gustave Flaubert, 1821-1857, a sprawling masterwork by one of the greatest intellects of the twentieth century. This new volume delivers a compact abridgment of the original by renowned Sartre scholar, Joseph Catalano.
 
Sartre claimed that his existential approach to psychoanalysis required a new Freud, and in his study of Gustave Flaubert, Sartre becomes that Freud. The work summarizes Sartre’s overarching aim to reveal that human life is a meaningful adventure of freedom. In discussing Flaubert’s work, particularly his classic novel Madame Bovary, Sartre unleashes a fierce critique of modernity as nihilistic and demeaning of human dignity.

"“The nihilism of the imaginary, as it is elaborately anatomized in The Family Idiot, is [not] a mere nineteenth-century curiosity or a local feature of some specifically French middle-class culture; nor is it a private obsession of Jean-Paul Sartre himself. Turning things into images, abolishing the real world, grasping the world as little more than a text or sign-system—this is notoriously the very logic of our own consumer society, the society of the image or the media event . . . [The Family Idiot] may well speak with terrifying immediacy [today].”" - New York Times

"“A virtuoso performance. . . . For all that this book does to make one reconsider his life, The Family Idiot is less a case study of Flaubert than it is a final installment of Sartre’s mythology.”" - New York Review of Books, on the unabridged edition

"A well-paced and quite comfortably readable work." - Complete Review