WINNER OF THE WOMEN'S PRIZE FOR FICTION 2022

When a book and a reader are meant for each other, both of them know it . . .

After the tragic death of his father, fourteen-year-old Benny Oh begins to hear voices. The voices belong to the things in his house and sound variously pleasant, angry or sad. Then his mother develops a hoarding problem, and the voices grow more clamorous. So Benny seeks refuge in the silence of a large public library. There he meets a mesmerising street artist with a smug pet ferret; a homeless philosopher-poet; and his very own Book, who narrates Benny's life and teaches him to listen to the things that truly matter.

Blending unforgettable characters with jazz, climate change and our attachment to material possessions, this is classic Ruth Ozeki - bold, humane and heartbreaking.

"The Book of Form and Emptiness is a big, polyphonic, often comic, magical-realist collage of a novel that attempts to interrogate the most pressing issues of the age . . . at its heart is a compelling story of human connection and the redemptive power of art . . . Ozeki is a talented storyteller" - * Guardian *

"There's powerful magic here . . . Ozeki is unusually patient with her characters, even the rebarbative ones, and she is able to record the subtle peculiarities of other classes of beings that more overeager writers would probably miss . . . Ozeki gives us a metaphor for our very own American consumption disorder, our love-hate relationship with the stuff we produce and can't let go of" - * New York Times Book Review *

"Storytelling rarely comes more capacious than Ruth Ozeki's latest novel . . . Ozeki interconnects zen philosophy, the environmental crisis, a critique of our mass consumer lifestyle and a playful post-modern sensibility - one of the characters is a talking book - within a novel that, for all its wide-ranging intellectual restlessness, remains grounded in its characters' emotional reality" - * Daily Mail *

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Moving . . . Ozeki has considerable storytelling energies

"Philosophically serious and formally playful . . . deeply affecting and uplifting" - * Guardian *