Rethinks films including Pillow Talk and Rear Window by identifying the "apartment plot" as a distinct genre, in which the urban apartment figures as a central narrative device

Rethinking the significance of films including Pillow Talk, Rear Window, and The Seven Year Itch, Pamela Robertson Wojcik examines the popularity of the “apartment plot,” her term for stories in which the apartment functions as a central narrative device. From the baby boom years into the 1970s, the apartment plot was not only key to films; it also surfaced in TV shows, Broadway plays, literature, and comic strips, from The Honeymooners and The Mary Tyler Moore Show to Subways are for Sleeping and Apartment 3-G. By identifying the apartment plot as a film genre, Wojcik reveals affinities between movies generally viewed as belonging to such distinct genres as film noir, romantic comedy, and melodrama. She analyzes the apartment plot as part of a mid-twentieth-century urban discourse, showing how it offers a vision of home centered on values of community, visibility, contact, mobility, impermanence, and porousness that contrasts with views of home as private, stable, and family-based. Wojcik suggests that the apartment plot presents a philosophy of urbanism related to the theories of Jane Jacobs and Henri Lefebvre. Urban apartments were important spaces for negotiating gender, sexuality, race, and class in mid-twentieth-century America.

"“Exhaustively researched and brimming with insightful observations, The Apartment Plot is a gift for those intent on studying the architecture that amps the plotline.”" - M/C Reviews

"“Pamela Robertson Wojcik's intriguing book takes an original approach to Hollywood cinema. Her subject is the apartment as setting, which, in films of the post-war decades, she claims, became a space where ‘a philosophy of urbanism’ could be dramatized ‘at a time when the meaning and status of urban living were undergoing a sea change.’ Wojcik argues persuasively that the ‘apartment plot’ imbues films with recurrent themes that transcend genre and director.”" - TLS

"“With her volume Wojcik deftly connects the apartment plot to social history. She also offers dozens of close readings of films—readings that often contradict (or at the very least complicate) conventional wisdom about those films. . . . Wojcik offers an almost encyclopedic account of apartment-centered films, such that any postwar film and media scholar will find Wojcik’s careful analysis useful.”" - American Quarterly

"“Wojcik . . .succeeds in demonstrating the value of focusing on the apartment, and mise-en-scène more generally, as a heuristic device. Doing so enables her to explore continuities between an otherwise diverse body of films, revealing how cinema both represents and participates in the production of discourses about urban architectures and experiences. As such, the volume makes a valuable contribution to our understandings of the relations among cinematic representations, architecture, and everyday life.”" - Journal of American History

"“Wojcik’s insightful analysis, supported by thorough research, contrasts privacy and community, sight and sound, urban and suburban, married and single life, white and African American neighborhoods, and upper- and lower-class milieus. . . . Recommended. Upper-division undergraduates and above.”" - Choice

"“Working with an admirably wide range of additional materials, including periodical and advice literature, advertising, fiction, television, music, building blueprints, and comics . . . Wojcik balances her many disciplines carefully. The book’s overall argument for the ‘apartment story’ as a distinct and important genre, and Wojcik’s embedding of her case studies in migration trends, cultural and social concerns, and shifting ideas about the city and its alternatives is a fresh and convincing addition to studies of postwar media.”" - Sixties