Race relations and filmmaking in early 20th-century America

Finalist, 2013 Richard Wall Memorial Award (Theatre Library Association)Winner, 2015 Jacksonville Historic Preservation Award

In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving "home talent" filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman's personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema.

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Thoroughly researched and crisply written. . . The first book-length work on Norman, Lupack's monograph clearly delineates the Norman Company's importance . . . [Richard E. Norman and Race Filmmaking's] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking . . . .

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Lupack's book provides a wealth of archival information about this vibrant moment in film history . . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.