Study of the novels that came out of the Native American Red Power movement in the 1960s and 1970s

In lucid narrative prose, Sean Kicummah Teuton studies the stirring literature of “Red Power,” an era of Native American organizing that began in 1969 and expanded into the 1970s. Teuton challenges the claim that Red Power thinking relied on romantic longings for a pure Indigenous past and culture. He shows instead that the movement engaged historical memory and oral tradition to produce more enabling knowledge of American Indian lives and possibilities. Looking to the era’s moments and literature, he develops an alternative, “tribal realist” critical perspective to allow for more nuanced analyses of Native writing. In this approach, “knowledge” is not the unattainable product of disinterested observation. Rather it is the achievement of communally mediated, self-reflexive work openly engaged with the world, and as such it is revisable. For this tribal realist position, Teuton enlarges the concepts of Indigenous identity and tribal experience as intertwined sources of insight into a shared world.

While engaging a wide spectrum of Native American writing, Teuton focuses on three of the most canonized and, he contends, most misread novels of the era—N. Scott Momaday’s House Made of Dawn (1968), James Welch’s Winter in the Blood (1974), and Leslie Marmon Silko’s Ceremony (1977). Through his readings, he demonstrates the utility of tribal realism as an interpretive framework to explain social transformations in Indian Country during the Red Power era and today. Such transformations, Teuton maintains, were forged through a process of political awakening that grew from Indians’ rethought experience with tribal lands and oral traditions, the body and imprisonment, in literature and in life.

"“Red Land, Red Power is an exciting and important book. . . . It is an important book for students invested in how the written word and real-world politics connect, including those in Native studies, (anti-)colonial studies, postcolonial studies, third-world studies, and ecocriticism. Red Land, Red Power also celebrates just how much literature and literary studies can do in understanding and resisting colonization—in the book, in the classroom, and in material places where marginalized voices are still trying to be heard.”" - Contemporary Literature

"“[Teuton’s] work is a powerful text that debunks old myths and creates a framework for seeing the world for what it is. Red Land, Red Power is a must-read.”" - Times Higher Education

"“His interpretive work will be particularly valuable to historians considering the use of these red power novels, because his approach is carefully grounded in historical context and deeply informed by prior criticism. . . . Teuton offers tangible evidence of not only red power, but also the power of literary language in the indigenous struggle with a legacy of colonialism that remains visible throughout Indian country.”" - Journal of American History

"“Informative from the start, [Teuton] interrogates essentialist critiques of Native literary culture by Native intellectuals, problematizes trickster critical discourse, and parries the vocabulary of Native studies while acknowledging how Indians have transformed English, achieving pantribal meanings manifest in prose. . . . Philosophically challenging yet reader friendly, this book is a must read. Essential.”" - Choice

"“Teuton has a keen ability to convey how tribal relationships that are based in kinship and that have endured long histories of colonial confrontations with the United States are essential to understanding these novels’ characters and dramatic tensions.”" - American Literature