This book chronicles the history of movie censorship in Virginia from the 1920s to 1960s. At its most basic level, it analyzes the project of state film censorship in Virginia. It uses the contestations surrounding film censorship as a framework for more fully understanding the dominant political, economic, and cultural hierarchies that structured Virginia and much of the New South in the mid-twentieth century and ways in which citizens contested these prevailing structures. This study highlights the centrality of gendered and racialized discourses in the debates over the movies and the broader regulatory power of the state. It particularly emphasizes ways in which issues of race, class, gender, and sexuality framed debates over popular culture in the South. It ties the regulation of racial and sexual boundaries in other areas such as public facilities, schools, public transportation, the voting booth, and residential housing to ways in which censors regulated those same boundaries in popular culture. This book shows how the same racialized and gendered social norms and legal codes that placed audience members in different theater spaces also informed ways in which what they viewed on-screen had been mediated by state officials. Ultimately, this study shows how Virginia’s officials attempted to use the project of film censorship as the cultural arm of regulation to further buttress the state’s political and economic hierarchies of the time period and the ways in various citizens and community groups supported and challenged these hierarchies across the censorship board’s forty-three-year history.

"The growing scholarship of film censorship in America, and particularly, in the Jim Crow South sheds important light on the complex relationship between governance and popular culture. Melissa Ooten’s thorough study, Race, Gender, and Film Censorship in Virginia, 1922– 1965, is a welcome addition. . . .She convincingly argues that issues regarding not only race but also gender, sexuality, and class informed Virginia’s movie censorship. . . .Ooten’s examination of how discourses of race and gender informed Virginia’s censorship board is a vital contribution to understanding cinema and its exhibition in the Jim Crow South." - Virginia Magazine of History and Biography

"Ooten's Race, Gender, and Film Censorship in Virginia sheds light on the importance and relevance of film in shaping a hierarchical, racialized, and gendered society. It offers an interesting vantage point from which to view white supremacy and southern history." - The Journal of African American History