"A welcome addition to Pasolini scholarship, film studies, and theology, Benini's book may well be the ultimate scholarly work on the sacred in Pasolini's work." -- Maurizio Viano, Department of Cinema and Media Studies, Wellesley College

Poet, novelist, dramatist, polemicist, and filmmaker Pier Paolo Pasolini continues to be one of the most influential intellectuals of post-war Italy. In Pasolini: The Sacred Flesh, Stefania Benini examines his corporeal vision of the sacred, focusing on his immanent interpretation of the Christian doctrine of the Incarnation and the “sacred flesh” of Christ in both Passion and Death as the subproletarian flesh of the outcast at the margins of capitalism.

By investigating the many crucifixions within Pasolini’s poems, novels, films, cinematic scripts and treatments, as well as his subversive hagiographies of criminal or crazed saints, Benini illuminates the radical politics embedded within Pasolini’s adoption of Christian themes. Drawing on the work of theorists such as Ernesto De Martino, Mircea Eliade, Jean-Luc Nancy, Alain Badiou, Giorgio Agamben, and Slavoj Žižek, she shows how Pasolini’s meditation on the disappearance of the sacred in our times and its return as a haunting revenant, a threatening disruption of capitalist society, foreshadows current debates on the status of the sacred in our postmodern world.

"

‘This is a thorough study of the true intellectual Pasolini.’

"

‘Benini succeeds in carving out an innovative space for interpretation, so that her work is an interesting addition to the huge bulk of Pasolini criticism. Furthermore, her work can benefit those who are interested in ‘‘meeting’’ the ‘‘organic intellectual’’ Pasolini, an agent of Italian cultural history for over fifty years.’

"

‘Benini’s book is a tour de force to be lauded and a must read for any Pasolini scholar.’

"

‘Benini’s book is a tour de force to be lauded and a must read for any Pasolini scholar.’

"

‘Benini succeeds in carving out an innovative space for interpretation, so that her work is an interesting addition to the huge bulk of Pasolini criticism.’

"

"For those familiar with the film criticism on Pasolini, Sacred Flesh makes a major contribution to an understanding of the artist's thought and intentions in making these films. It is a contribution that arises from highly developed Italian research and debates."

"

"Organizing her own discourse around specific typological crystallizations in Pasolini’s work, Beninini’s analysis is scrupulously respectful of Pasolini’s words and intentions, even those which are most clearly contradictory. The construction of the argument is careful and precise and draws on well-known sources but also material which has not been published in English."