'A work of enchanting honesty and tenderness' Helen Macdonald

Born and raised in the South Yorkshire mining village of Hoyland Common, Richard Hines remembers heaps of coal dust, listening out for the colliery siren at the end of shifts and praying for his father’s safe return. When he failed his eleven-plus it seemed all too likely that he would follow in his father's footsteps and end up working in the pits - unlike his older brother Barry, who had passed the exam to grammar school and seemed to be heading for great things. Crushed by this, Richard spent his time in the fields and meadows beyond the slag heap. One morning, walking in the grounds of a ruined medieval manor, he came across a nest of kestrels. Instantly captivated, he sought out ancient falconry texts from the local library and pored over the strange and beautiful language there. With just these books, some ingenuity and his profound respect for the hawk’s indomitable wildness, Richard learned to 'man', or train, his kestrel, Kes, and in the process found the passion that would shape his future. Richard's experiences with kestrels inspired Barry’s classic novel A Kestrel for a Knave. When production began on what would become Ken Loach’s iconic film Kes, Richard himself trained the kestrels that would soar on screen and into cinematic history. No Way But Gentlenesse is a superb, moving memoir of one remarkable boy’s love for a forgotten culture, and his attempt to find salvation in the natural world.

"Reading Richard Hines’s book is like seeing a myth captured and brought to earth … Completely absorbing. His descriptions are so vivid you feel close enough to reach forward and touch" - Sunday Times

"It is certainly worth having. And its plain-spoken and unflashy but eloquent account, as its title suggests, of all sorts of gentleness, first to do with the taming of meat-eating raptors, but then also related to Hine’s human kith and kin, runs deep into the literature birds and people ... Hine’s sweet title comes from a seventeenth-century falconry manual. And gentleness sweetly pushes through much of this book" - Guardian

"A thoughtful and evocative memoir … A must for H is for Hawk fans" - Sunday Express

"Kes … is regularly hailed as a classic of British cinema. But the story behind it turns out to be almost as good as the film itself … If the book is, in part, an account of [Barry and Richard’s] relationship, at its heart is another, rather more touching bond – the one Richard enjoyed with his kestrels. He has certainly taken his time writing it, but this is a poignant, vividly recollected account of an angry, agonised and apparently earth-bound boy learning, in one sense at least, how to soar" - Daily Mail

"Captivating and inspiring … grounded and uplifting, accessible yet aspirational - a pleasurable bend of conflicts that demonstrates the power of nature and the good that comes from nurturing one’s passions" - Publisher's Weekly

"A moving memoir sheds new light on a celebrated film" - The Times

"The prose is as honed and svelte as the kestrels themselves, searingly honest, and sharp as a raptor’s eye. A poignant life story that will grip you from the first to the very last page, and make you well up with tears and cry with laughter" - BBC Wildlife

"Poetic, yearning" - Sunday Express

"A powerful evocation of northern working-class life in the Fifties and Sixties …This book is never bitter. On the contrary, it is the work of a man who understands that the important things in life require patience and that the most powerful means of persuasion is gentleness" - Mail on Sunday

"No Way But Gentlenesse pulls no punches on the issues of class and entitlement – or lack of – that also made Kes so groundbreaking… As [Hines] describes so evocatively in the book, he too was earmarked in early life and by an inflexible education system to a lesser lot in life… Falconer or just plain old bird enthusiast, if you can love something that isn’t giving very much love in return, perhaps that is the greatest love… And if you can set a bird free, as Richard did for the Kestrels immortalised on film, well, even better. Letting go might even be the greatest gentlenesse" - British Birds

"A delightful story of a boy, his birds, and his pursuit of knowledge in spite of society’s dictates" - Kirkus

"Beautifully written ... throughout Hines’ memoir there’s a sense of championing the underdog, whether it be the loving attention he paid to his kestrels as a child or the racism he found himself appalled by when he volunteered overseas in Nigeria" - Yorkshire Post

"The issue of class weaves through the pages … A moving story of a man and the bird he loves" - BBC Countryfile

"A moving and powerful tale of the redemptive powers of nature" - Guardian, 'Books of the Year'

"‘Wonderful’" - Financial Times