No Hiding Place is the début collection from a highly original young Scottish poet whose influences range from detective stories and fairy-tales - with their battles between good and evil - to the films of Marilyn Monroe and Kay Kendall. Tracey Herd’s title-poem takes the style of a 1950s film noir, with echoes of Raymond Chandler, pointing up the harsh sense pervading many of her poems that there is no hiding place from death, God and the Day of Judgement. Shortlisted for the Forward Prize for Best First Collection

"Tracey Herd is a one-off. Though influenced by the emergence of a vibrant and independent new Scottish poetry, she reaches out across cultures and national poetics, projecting a noirish psycho-linguistic drama onto the screen of predictability. She is risky and challenging, and her poems carry a sting in the tail. The twists and turns of her voice, sublimated by others', test the fragility of her readers' perceptions. Persona falls victim to the power of language, the total control of line and rhythm. She is terrifyingly brilliant." - Verse