Night (1934), the first novel of Abdulhamid Sulaymon o’g’li Cho’lpon’s unfinished dilogy of novels, Night and Day, gives readers a glimpse into the everyday struggles of men and women in Russian imperial Turkestan. More than just historical prose, Cho’lpon’s magnum opus reads as poetic elegy and turns on dramatic irony. Though it depicts the terrible fate of a young girl condemned to marry a sexual glutton, nothing is what it seems. Readers find themselves questioning the nature of women’s liberation, colonialism, resistance, and even the intentions of the author, whose life and sequel, Day, were lost to Stalinist terror.