Masking the Abject traces the beginnings of the malediction of play in Western metaphysics to Aristotle. Mechthild Nagel's innovative study demonstrates how play has served as a 'castaway' in western philosophical thinking: It is considered to be repulsive and loathsome, yet also fascinating and desirable. The book illustrates how play 'succeeds' and proliferates after Hegel—despite its denunciation by classical philosophers—entering Marxist, phenomenological, postmodern, and feminist discourses. This work provides the reader with a superb analyisis of how the distinction between the serious and the playful has developed over time, charting play's changing ontological status, and ethical and aesthetic dimensions, from the logocentric to the bacchnalian.

"Not only is philosophy to be done in a serious manner, but it must above all be dedicated to serious topics. This is why Mechthild Nagel's recent book Masking the Abject: A Genealogy of Play has to be greeted as a needed contribution and as coming at the right moment." - Philosophy in Review