Malaysian Chinese (Mahua) literature is marginalized on several fronts. In the international literary space, which privileges the West, Malaysia is considered remote. The institutions of modern Chinese literature favor mainland China, Taiwan, and Hong Kong. Within Malaysia, only texts in Malay, the national language, are considered national literature by the state. However, Mahua authors have produced creative and thought-provoking works that have won growing critical recognition, showing Malaysia to be a laboratory for imaginative Chinese writing.

Highlighting Mahua literature’s distinctive mode of evolution, Cheow Thia Chan demonstrates that authors’ grasp of their marginality in the world-Chinese literary space has been the impetus for—rather than a barrier to—aesthetic inventiveness. He foregrounds the historical links between Malaysia and other Chinese-speaking regions, tracing how Mahua writers engage in the “worlding” of modern Chinese literature by navigating interconnected literary spaces. Focusing on writers including Lin Cantian, Han Suyin, Wang Anyi, and Li Yongping, whose works craft signature literary languages, Chan examines narrative representations of multilingual social realities and authorial reflections on colonial Malaya or independent Malaysia as valid literary terrain. Delineating the inter-Asian “crossings” of Mahua literary production—physical journeys, interactions among social groups, and mindset shifts—from the 1930s to the 2000s, he contends that new perspectives from the periphery are essential to understanding the globalization of modern Chinese literature. By emphasizing the inner diversities and connected histories in the margins, Malaysian Crossings offers a powerful argument for remapping global Chinese literature and world literature.

"With an illuminating epistemological framework and erudite textual analysis, Malaysian Crossings will inspire conversations in the fields of world literature, Sinophone studies, and Southeast Asian studies, as we continue to see exciting developments of contemporary Mahua literature." - Asian Studies Review

"[Malaysian Crossings] should be required reading for graduate students working in Asian studies . . . [it] makes a compelling case for the expansive potential of global Chinese cultural studies by pointing out productive ways of creative engagement beyond the predictable ‘invariably writing back against China.’" - H-Asia

"Positioning Mahua literature as world literature on account of – not despite – its marginality, the book is useful not only to scholars of sinophone, East, and Southeast Asian literatures but is also an innovative guide for those grappling with the politics of recognition and the place of minor literatures in a globalised world." - Wasafiri Magazine

"Chan mines the generative tensions produced by the imbricated conditions and pressures of Chineseness, nativism, nationalism, and diaspora . . . Invoking the concept of global marginality, Malaysian Crossings is a reminder that no condition of centrality or marginality should be treated as a given, encouraging readers to think about the local as not always national and the global as more than transnational." - Southeast Asian Studies