An intimate study of the creation and use of embroidered quilts

In Bengal, mothers swaddle their infants and cover their beds in colorful textiles that are passed down through generations. They create these kantha from layers of soft, recycled fabric strengthened with running stitches and use them as shawls, covers, and seating mats.

Making Kantha, Making Home explores the social worlds shaped by the Bengali kantha that survive from the nineteenth and early twentieth centuries. In the first study of colonial-period women’s embroidery that situates these objects historically and socially, Pika Ghosh brings technique and aesthetic choices into discussion with iconography and regional culture.

Ghosh uses ethnographic and archival research, inscriptions, and images to locate embroiderers’ work within domestic networks and to show how imagery from poetry, drama, prints, and watercolors expresses kantha artists’ visual literacy. Affinities with older textile practices include the region’s lucrative maritime trade in embroideries with Europe, Africa, and China. This appraisal of individual objects alongside the people and stories behind the objects’ creation elevates kantha beyond consideration as mere handcraft to recognition as art.

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"Ghosh’s monograph elevates kantha as a living tradition that enables women to express their own agency. Her treatise deliberately deviates from the 19th century intellectual engagement with kantha by art curators by going beyond the surface-level of the kantha as a decorative piece of cloth and speculates the intentions of the women behind these handiworks."

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"Ghosh has crafted a heartwarming and sophisticated understanding of how home and kantha are inextricably tied to Bengali culture, connecting kantha makers, users and researchers across time and space."