The year 1955 was a watershed one for New York’s film industry: Elia Kazan’s On the Waterfront took home eight Oscars, and, more quietly, Stanley Kubrick released the low-budget classic Killer’s Kiss. A wave of films that changed how American movies were made soon followed, led by directors such as Sidney Lumet, William Friedkin, Francis Ford Coppola, and Martin Scorsese. Yet this resurgence could not have occurred without a deeply rooted tradition of local film production.

Richard Koszarski chronicles the compelling and often surprising origins of New York’s postwar film renaissance, looking beyond such classics as Naked City, Kiss of Death, and Portrait of Jennie. He examines the social, cultural, and economic forces that shaped New York filmmaking, from city politics to union regulations, and shows how decades of low-budget independent production taught local filmmakers how to capture the city’s grit, liveliness, and allure. He reveals the importance of “race films”—all-Black productions intended for segregated African American audiences—that not only helped keep the film business afloat but also nurtured a core group of writers, directors, designers, and technicians. Detailed production histories of On the Waterfront and Killer’s Kiss—films that appear here in a completely new light—illustrate the distinctive characteristics of New York cinema.

Drawing on a vast array of research—including studio libraries, censorship records, union archives, and interviews with participants—“Keep ’Em in the East” rewrites a crucial chapter in the history of American cinema.

"Among recent books on cinema, one of the most nourishing is Richard Koszarski’s “Keep ’Em in the East”." - The New Yorker

"Koszarski’s latest movie-industry history is an essential resource for your bookshelves, a detailed inspection of critical film work in the New York City area from the 1930s to 1950s and the release of Elia Kazan’s On The Waterfront." - The Bowery Boys

"This deep dive into the history of Postwar New York cinema is a thrillingly paced read, taking the scholarly headiness of your typical Columbia-backed book and this time pairing it with a palpable energy that feels very much influenced by its subject. At over 500 pages, the book isn’t short on stories or deep dives into films, and with focuses on Kubrick and Kazan, will surely draw many eyes when gift hunting." - Criterion Cast

"[This] book is rich with anecdotes, facts, and original insights, no doubt ensuring it will be an indispensable work to scholars of post-war American filmmaking. . . the book overall is a fitting tribute and history to what is both an overlooked, yet rich and influential period in American filmmaking." - Historical Journal of Film, Radio, and Television

"This is an exceptional work of research and writing, years in the making. If the production of cheesy films with Pigmeat Markham doesn’t interest you, rest assured that the story grows more captivating as it goes along. Keep ‘em in the East is a knockout." - Leonard Maltin

"[A]n ambitious socio-political fresco dedicated to the 'renaissance' of cinema in post-war boom New York." - Cinecitta News