Ireland Is Changing Mother is Rita Ann Higgins at her edgy best: provocative and heart-warming poems of high jinks, jittery grief and telling social comment by a gutsy, anarchic chronicler of the lives of the Irish dispossessed, before as well as since the demise of the Celtic tiger. This was her first new collection after her retrospective, Throw in the Vowels, and was followed by Tongulish.

"It shouldn't be unusual to hear a smart, sassy, unabashed, female working-class voice in Irish writing. But it is. Higgins's achievement doesn't depend on that rarity value, but it is certainly amplified by it. Higgins is, quite consciously, an artistic outsider - a unique fusion of wry, deadpan humour on the one side and absolute sincerity on the other. She doesn't congratulate herself for her sympathy with those who are (in this case literally) outside the world of art. She simply sees and writes. Her humour and playfulness keep sentimentality and self-righteousness resolutely at bay - She has made what is still the most direct and powerful statement of the class divide in Irish society - The boom years had no great effect on Higgins's voice, on her point of view or on her style. She had a manic linguistic energy long before the hysteria of the Tiger era quickened the pulse of the culture as a whole: Higgins could be regarded, in one of her guises, as Ireland's first rapper. - Her political satire hasn't lost its edge, but it no longer reads as a cry in the wilderness - Now the bubble's burst, we're left with our real treasures, and Rita Ann Higgins is one of them." - The Irish Times

"A brilliantly spiky, surreal blend of humour and social issues. Her poems are a witty mix of the erotic and the upfront political from a female perspective, with wonderful rhythms that effortlessly incorporate direct speech." - Independent on Sunday