Despite its extraordinary popularity and worldwide influence, the world of rap and hip hop is under constant attack. Impressions and interpretations of its meaning and power are perpetually being challenged. Somewhere someone is bemoaning the negative impact of rap music on contemporary culture. In In the Heart of the Beat: The Poetry of Rap, bestselling author and scholar Alexs Pate argues for a fresh understanding of rap as an example of powerful and effective poetry, rather than a negative cultural phenomenon. Pate articulates a way of "reading" rap that makes visible both its contemporary and historical literary values. He encourages the reader to step beyond the dominance of the beat and the raw language and come to an appreciation of rap's literary and poetic dimensions. What emerges is a vision of rap as an exemplary form of literary expression, rather than a profane and trendy musical genre. Pate focuses on works by several well-known artists to reveal in rap music, despite its penchant for vulgarity, a power and beauty that is the heart of great literature.

"The best parts of the book are those where Pate lists the words from popular rap music and opens the readers' minds to the imagery, the meaning, the structure, form, rhythm, and flow of the words . . . Pate does an excellent job of providing the reader with a new light and better perspective on rap music and its significant role in all of society but especially the African American culture." - Pop Culture Books, November 2009

"A sophisticated analysis of rap/poetry such as this is necessary if rap is to be evaluated for its composition, permanence, and significance. Pate’s accessible writing style will captivate scholars as well as fans of rap, poetry, and the evolving culture of hip-hop." - Library Journal, December 2009

"Pate presents a strong case for the artistic and cultural importance of rap, analyzing lyrics and artists from multiple angles....This warts-and-all study of one of the preeminent art forms of today is vital and compelling, especially for dedicated listeners." - Publishers Weekly, January 2010

"What Pate has accomplished here is nothing less than an aesthetic standard for rap as poetry, which he tests against various examples of the rap genre….This is a groundbreaking work, necessary for connoisseurs of both poetry and rap music." - Sacramento News and Review, May 6, 2010