I had a curious sense of being watched.

June 1914 and a young woman - Clara Waterfield - is summoned to a large stone house in Gloucestershire. Her task: to fill a greenhouse with exotic plants from Kew Gardens, to create a private paradise for the owner of Shadowbrook. Yet, on arrival, Clara hears rumours: something is wrong with this quiet, wisteria-covered house. Its gardens are filled with foxgloves, hydrangea and roses; it has lily-ponds, a croquet lawn - and the marvellous new glasshouse awaits her. But the house itself feels unloved. Its rooms are shuttered, or empty. The owner is mostly absent; the housekeeper and maids seem afraid. And soon, Clara understands their fear: for something - or someone - is walking through the house at night. In the height of summer, she finds herself drawn deeper into Shadowbrook's dark interior - and into the secrets that violently haunt this house. Nothing - not even the men who claim they wish to help her - is quite what it seems.

Reminiscent of Daphne du Maurier, this is a wonderful, atmospheric Gothic page-turner.

A deeply absorbing, unputdownable ghost story that's also a love story; for readers who love Sarah Waters's The Little Stranger; Frances Hodges Burnett's The Secret Garden; Margaret Atwood's Alias Grace; Jane Harris's The Observations.

"Magical and often extremely moving. A gem" - Daily Mail

"Moody and atmospheric - and just as compelling [as Daphne du Maurier] . . . Tense, thrilling and a true page-turner" - Image magazine

"Fletcher's prose is dreamily sensual, full of the light and heat of an English summer, an eerie contrast to the shadows of the oncoming First World War . . . House Of Glass is a beautifully written, gloriously Gothic story of gardens, ghosts and old, uneasy grudges" - Sunday Express

"With echoes of Daphne du Maurier, House of Glass is a mesmerising ghost story set in a dilapidated country house where things go bump in the night" - Good Housekeeping

"A very satisfying read with a clever twist. I loved it" - Four Shires

"Offers readers many of the pleasures of her earlier work . . . The novel is haunted by secondhand memories of empire and by trees and flowers transplanted from warmer climates, its version of England sustained and undermined by dependence on faraway places" - Guardian

"As her heroine faces increasing dangers, Fletcher neatly changes the direction in which her story is heading. What seems initially a tale of the supernatural develops into something more" - Sunday Times