Of all the musical developments of rock in the 1960s, one in particular fundamentally changed the music’s structure and listening experience: the incorporation of extended improvisation into live performances. While many bands—including Cream, Pink Floyd, and the Velvet Underground—stretched out their songs with improvisations, no band was more identified with the practice than the Grateful Dead. In Get Shown the Light Michael Kaler examines how the Dead’s dedication to improvisation stemmed from their belief that playing in this manner enabled them to touch upon transcendence. Drawing on band testimonials and analyses of early recordings, Kaler traces how the Dead developed an approach to playing music that they believed would facilitate their spiritual goals. He focuses on the band’s early years, the significance of their playing Ken Kesey’s Acid Test parties, and their evolving exploration of the myriad musical and spiritual possibilities that extended improvisation afforded. Kaler demonstrates that the Grateful Dead developed a radical new way of playing rock music as a means to unleash the spiritual and transformative potential of their music.

"“Michael Kaler demonstrates that the pursuit of something esoteric, essential, and religious in nature drove the Grateful Dead’s artistic path. Persuasively arguing that the Dead believed that improvisational music has the power to evoke transcendence and foster collective consciousness, Get Shown the Light makes an important contribution to the growing body of work that interrogates the relationship between music, religiosity, and American culture.”" - This Is Your Song Too: Phish and Contemporary Jewish Identity

"This volume should interest musicologists, theologians, and academics of all sorts, as well as fans who want a better understanding of the Grateful Dead experience and its religious dimensions."  - Reading Religion