The Greek and Roman body in all its (surprisingly human) glory

WINNER OF THE LONDON HELLENIC PRIZE SHORTLISTED FOR THE ANGLO-HELLENIC RUNCIMAN AWARD A SUNDAY TIMES HISTORY BOOK OF THE YEAR 2022 A SPECTATOR BOOK OF THE YEAR 2022 'A gloriously intimate tour of the body in antiquity' Gavin Francis 'Vout tackles a huge range of ideas and subjects with irrepressible energy ... full of arresting, sometimes startling ideas and facts that topple the Greeks and Romans from their lofty, pristine, snow-white pedestals' Guardian 'A triumph ... an extraordinary book that stopped me in my tracks' Peter Frankopan The Greek and Roman body is often seen as flawless - cast from life in buff bronze and white marble, to sit upon a pedestal. But this, of course, is a lie. Here, classicist Caroline Vout reaches beyond texts and galleries to expose Greek and Roman bodies for what they truly were: anxious, ailing, imperfect, diverse, and responsible for a legacy as lasting as their statues. Taking us on a gruesome, thrilling journey, she taps into the questions that those in the Greek and Roman worlds asked about their bodies - where do we come from? What makes us different from gods and animals? What happens to our bodies, and the forces that govern them, when we die? Vout also reveals the surprising actions people often took to transform their bodies - from sophisticated surgery and contraception to body oils, cosmetics and early gym memberships. You've seen the paintings, read the philosophers and heard the myths - now here's the classical body in all its flesh and blood glory.

"Written with such depth and enthusiasm, Exposed has expanded my mind on the body in the Ancient World. An essential and hugely enjoyable read" - The Story of Art Without Men

"This new perspective on Rome and Greece is gruesome, unsettling and fascinating" - The Times

"Vout tackles a huge range of ideas and subjects with irrepressible energy ... full of arresting, sometimes startling ideas and facts that topple the Greeks and Romans from their lofty, pristine, snow-white pedestals" - Guardian

"The illustrations are superb throughout ... packed with fascinating facts and original insights" - The Sunday Times

"Spectacular ... highly stimulating ... it takes a book of ambitious scope like this to challenge preconceptions of what art actually is" - Literary Review