Книга Doomed to Fail: The Incredibly Loud History of Doom, Sludge, and Post-metal

Код товара: 1372742

Книга Doomed to Fail: The Incredibly Loud History of Doom, Sludge, and Post-metal

Код товара: 1372742
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  • Sludge came out of the doom metal and hardcore punk scenes in the 1980s
  • The Melvins were a seminal bands for sludge, doom, and post-metal, they also influenced Nirvana and grunge
  • Sludge was mostly from Louisiana and the southern US when it first started
  • The New York Times called Sludge and doom, "The shorthand term for the kind of rock descending from early Black Sabbath and late Black Flag is sludge, because it's so slow and dense."
  • These genres are known for their slower tempos, dark subject matter, and a heavier sound than other types of metal
  • Many of the bands covered come out of Louisiana, specifically New Orleans; Aberdeen, WA; and Wilmington, NC
  • Many of these bands are hugely influential of some of the biggest bands of all time—like Black Sabbath, who was clearly very inspired by Coven—but they don't get the recognition they deserve for this
  • Doomed to Fail explores the heaviest music the world has ever heard, tracing doom, sludge, and post-metal as their own distinct (and incredibly loud) traditions. Anselmi covers the bands and musicians that have impacted those styles most—Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others—while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction. Along the way, Anselmi interweaves the musical experiences that have led him to proudly identify as one of the doomed.
    Doomed to Fail explores the heaviest music the world has ever heard, tracing doom, sludge, and post-metal as their own distinct (and incredibly loud) traditions. 
    Anselmi covers the bands and musicians that have impacted those styles most―Black Sabbath, Candlemass, Melvins, Eyehategod, Godflesh, Neurosis, Saint Vitus, and many others―while diving into the cultural doom that has spawned such music, from the bombing of Birmingham and hurricane devastation of New Orleans to glaring economic inequality, industrial alienation, climate change, and widespread addiction. Along the way, Anselmi interweaves the musical experiences that have led him to proudly identify as one of the doomed.

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    Год издания
    2022
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