A richly illustrated exploration of how whiteness and Indigeneity are articulated through commonplace, even kitschy, symbols of Canadian identity and challenged by the creative subversions of contemporary artists.

Creative Subversions explores how whiteness and Indigeneity are articulated through images of Canadian identity -- and the contradictory and contested meanings they evoke. These benign, even kitschy, images, she argues, are haunted by ideas about race, masculinity, and sexuality that circulated during the formative years of Anglo-Canadian nationhood.

In this richly illustrated book, Margot Francis shows how national symbols such as the beaver, the railway, the wilderness of Banff National Park, and ideas about “Indianness” evoke nostalgic versions of a past that cannot be expelled or assimilated.  Juxtaposing historical images with material by contemporary artists, she investigates how artists are giving these taken-for-granted symbols new and suggestive meanings.

"Engaging and insightful...Francis's analysis of the history of national parks in Canada and their meaning for national identity will ring particularly true to anyone familiar with the substantial literature in the United States on its national parks system." - BC Studies, No. 176, Winter 2012-13

"In addition to its scholarly rigour and theoretical sophistication, Creative Subversions is highly readable and engaging...This book is a major contribution to the study of Canada across the disciplines of history, art history, media and film studies, and cultural studies, and it will also be of value to scholars and students of colonialism and culture more generally." - Journal of Colonialism and Colonial History, Vol 14, No 1, 2013