A knife is pulled. An Uber driver is racially abused on the day of the Brexit referendum. A father bathes his son in ice water. A schoolboy drives a drawing pin into a map of the world. The threat of violence is never far away in Anthony Anaxagorou's breakthrough collection After the Formalities. Technically achieved, emotionally transformative and razor-sharp, these are poems that confront and contradict; poems in which the scholarly synthesises with the streetwise, and global histories are told through the lens of one family. Anaxagorou 'speaks against the darkness', tracking the male body under pressure from political and historical forces, and celebrates the precarious joy of parenthood. The title poem is a meditation on racism and race science that draws on the poet's Cypriot heritage and is as uncomfortable as it is virtuosic. Elsewhere, in a sequence of prose poems that shimmer with lyric grace, he writes, 'I'm your father & the only person keeping you alive.' Shortlisted for the T.S. Eliot prize A Poetry Society Recommendation A Guardian Poetry Book of the Year One of The Telegraphs Best Poetry Books of 2019

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Anthony Anaxagorou's After the Formalities is a novel response to anxieties surrounding the growth of the immigrant-descended population, informed by his British and Cypriot heritage. [...] The poet speaks out "against darkness" to a divided nation and seeks the solace of home, whether assigned or adopted.
Jade Cuttle, The Guardian

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A manifesto for a complete, multifaceted masculinity ... makes After the Formalities essential reading for our times.
Katie Mennis, The London Magazine

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Anaxagorou's] crystalline language, brevity, use of space, gaps and silence all commit themselves to accounting for loss, or the "violence in forgetting".
Sandeep Parmar, The Guardian

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Anaxagorou probes the themes of masculinity, fatherhood and ethnicity, confronting them head-on ... There are also subtle and tender moments between the poet and his son, where curiosity and vulnerability are celebrated.
Zakia Carpenter-Hall, Poetry London

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At once personally redemptive and historically acute [...] Anaxagorou's poems are at their most powerful when they slip into this kind of rapid rattle, the verbs fronted and the clauses lopped of their subjects. The narrative, rather than losing pace with the lanugage, is turned, chewed, stung.
Will Harris, The Poetry Review